E-014
Teatro Oficina, São Paulo . Lina Bo Bardi . © Iñigo Bujedo Aguirre . 1984
'The building is 9m wide and 50 long and the plan that was developed for the building was to make it a corridor between two important pedestrian areas of the Bexiga neighborhood.
As a public street, this theatre would merge the past and present, the old and the new, architecture and the city, actors and audience – in a theatre without wings or curtains. This is a public street with no space for spectators, only for actors: The public, the technicians, architecture, architecture and objects are literally on stage with the actors.The theatre is on longer a “box for dreaming in” but a real, possible way of life very close to that of everyday people in the street.'
http://positivedialogues.aaschool.ac.uk/?p=1842
As a public street, this theatre would merge the past and present, the old and the new, architecture and the city, actors and audience – in a theatre without wings or curtains. This is a public street with no space for spectators, only for actors: The public, the technicians, architecture, architecture and objects are literally on stage with the actors.The theatre is on longer a “box for dreaming in” but a real, possible way of life very close to that of everyday people in the street.'
http://positivedialogues.aaschool.ac.uk/?p=1842
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